Electroacoustic Fais Do Do
April 5 & 6 the EMDM program at LSU is host to a series of events celebrating the 40th Anniversary of the Society of Electroacoustic Music in the United States.
The conference will present three (3) concerts focused on one of the three conference topics, each an area of research central to our current work at LSU:
- Cinema for the Ears (High Density Loudspeaker Array presentation of multi-channel fixed media)
- New Interfaces for Musical Expression
- Music for Instruments and Electronics
Full information can be found here.
Fall 2024 Lineup of classes in Electronic and Experimental Music
In case you are wondering what to sign up for…
Unique things this upcoming semester:
- Perform through live coding and acoustic instruments through the MUS 4270 EMDM Ensemble
- Signal Processing and interactivity in MaxMSP via MUS 4745 Computer Music
- An exciting collaboration with EMDM, DMAE and Digital Art to explore Extended Reality Performance! MUS 7746 – EMDM Seminar in XR Performance
- MUS 2745 Intro to Computer Music
- Applied Electroacoustic Music in MUS 3153 & 7053
The Fall 2024 lineup of music & technology classes from EMDM
MUS 7746 – Research Seminar in EMDM: XR Performance
Taught by: Dr. Allison & Derick Ostrenko
Paired with ART 4240 Special Topics: XR Performance
Performance and live events such as concerts, opening ceremonies, theatrical productions, and other spectacles are using light, sound, and technology to extend reality in rapidly evolving ways. This course engages the intersection of electronic music, visualization, performer, and audience. We will focus on creating real-time music, sound, and performance that respond and interact with graphics, lighting, and illusion on a large LED wall in LSU’s new XR Studio environment. Experimental and traditional tools for content creation will be explored as a part of the production pipeline such as Max (Jitter), Unreal Engine, Notch, and TouchDesigner. Other strategies for interaction and reaction such as motion capture, sensors, and computer vision will be covered. The course is project based and will entail a series of lessons that pave the way for original XR performances that combine physical sets with digital graphics.
Open to students with some coding background (MUS 4745 suggested) and Performers who want to explore technology in their performance practice.
Fall 2024 T/Th 12:00-1:30
MUS 2745 – Intro to Computer Music
Taught by: Fiona Xue Ju
- DAWs, Recording/Editing, composing, sound design
- Culminates in a concert of works at the Really, Really New Music Marathon.
Open to all levels of Music students including Digital Media Minor students
Fall 2024 MWF 930-1030
MUS 4745 – Computer Music
Taught by: Dr. Trapani
- Using computers to create music from scratch
- Audio programming in Max
- Sound Synthesis
- Audio Processors
- Computer Music Composition
- Computer Interactivity and Performance
Open to all levels including Digital Media Minor students (2745 or 2700 recommended)
Fall 2024 T/Th 9:00-10:20
MUS 4270 – EMDM Ensemble – Laptop Orchestra of Louisiana
Taught by: Dr. Allison & Kerem Ergener
- Exploring Performance with technology
- Live Coding
- Improvisation
- Paired performing with Electronic & Acoustic instruments
- Performance at the DMC!
Open to all levels of music students including Digital Media Minor students
Fall 2024 – T 3:00-550
MUS 3152/7053 – Applied Electroacoustic Music
Taught by: Dr. Allison & Dr. Trapani
- define and compose works incorporating -or creating- technology. (Essentially composition on electricity)
- Pre-requisite of MUS 2745 (or by permission of instructor)
- Culminates in a performance of the work you created at the Really, Really New Music Marathon.
Open to EMDM and Composition students and others by approval
Fall 2024 – Fr 3:00-4:20 + by appointment
If you have any questions about the courses or requirements, please contact Dr. Allison at jtallison@lsu.edu
Water Dust
Water Dust w/ guest artist Patrick Chin Ting Chan
We are delighted to announce an upcoming concert featuring the work of Patrick Chin Ting Chan, fellow students from the Experimental Music & Digital Media (EMDM) program, along with dancers. The event is free and open to the public and will take place on March 8, 2024, at 7:30 pm in the Digital Media Center at Louisiana State University.
Water Dust is a concert-length piece composed by Patrick Chin Ting Chan, exploring the symbolic and aesthetic aspects of water and dust. Inspired by the contrast and connection between these elements, the piece embodies dualities such as purity and impurity, change and stagnation, emotion and reason. It pushes the boundaries between art and science, nature and culture, order and chaos, inviting the audience to immerse themselves in a fluid and organic world of sound and vision.
The work comprises 17 short videos. The graphics and sounds evoke imagery of water droplets, dust particles, and other microscopic phenomena, featuring abstract and distorted geometric patterns or waves in motion, employing two primary color groups: blue and brown. Accompanying the videos, a group of performers will improvise during or between the segments, responding to and reflecting on the audiovisuals to interpret the duality of these contrasts. The performers are encouraged to integrate into the collective sound of the audio materials.
Featured performers include:
Patrick Chin Ting Chan
Fiona X Ju
Ka Hei Cheng
Dominick L Licciardi
Irina Kruchinina
Drew Farrar
Dylan Burchett (Concert Technician)
For more information, please visit the website: http://www.chintingchan.com/water-dust1.html
Electric LaTex Festival 2023-24!
Welcome to the Electric LaTex Festival at LSU! A collection of sonic evenst, concerts and happenings from a collection of Louisiana and Texas Universities.
For more information about the festival, concert times and locations please visit the festival website.
Laptop Orchestra of Louisiana
The Laptop Orchestra of Louisiana presents a concert of:
Electroacoustic Improvisation and Handmade Electronics
November 1 @ 730PM Digital Media Center Theatre
The Laptop Orchestra of Louisiana explores the interface between electronics and music, computers and performance. This concert is a collection of structured compositions and improvisations exploring sound objects through group performance. The ensemble is performing Electroacoustic Improvisation (EAI) through the development of their own Instrumentariums – with objects and sounds that can contribute to a unique group performance. In addition to physical artifacts the LOLs have created hands-on electronics and perform live through circuit bending.
In improvisation, the ability to listen to the sound of the room, the environment, and the individual sounds of members in the ensemble is key. To hone these skills for EAI, we employ Deep Listening, a practice developed and taught by electronic music luminary Pauline Oliveros. We invite you to join us, focusing inward towards the incidental and electronic sounds of the ecosystems we inhabit, listening deeply to this experimental world of sound.
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Cinema for the Ears – SEAMUS Rhizome Event
LSU Cinema for the Ears – A SEAMUS 2023 Rhizome Event
Friday, March 24, 2023, 7:30 PM CDT
The LSU School of Music’s Experimental Music & Digital Media program, in collaboration with the Society for Electro-Acoustic Music in the United States (SEAMUS), will present a Cinema for the Ears concert, March 24, 2023, at 7:30 PM CDT in the Digital Media Center Theatre. The concert will also be live-streamed in binaural audio as part of the SEAMUS 2023 National Conference Rhizome Events.
The concert will feature fixed media works by Jesse Allison, Eric Lyon, Leah Reid, Ryne Siesky, Annie Hui-Hsin Hsieh, and Stephen David Beck. The pieces were composed specifically for high-density loudspeaker arrays of 8, 16, and 32 discreet audio channels, and will be presented on the DMC Theatre’s 89-channel loudspeaker array.
Binaural Stream (listen with headphones): https://www.youtube.com/@lsuEMDM/live
Concert Program: 2023-03-24 Cinema for the Ears
High Voltage 2023
The EMDM High Voltage Concert is an Experimental Music and Digital Media bonanza where the experimental and the avant-garde reign supreme. The 2023 incarnation will feature live electronic, electroacoustic, and fixed media works of all kinds.
Works by Konstantinos Karathanasis, Jesse Allison, Brian Nabors, Erin Demastes, Treya Nash, Kerem Ergener, and Dylan Burchett
High Voltage 2023
DMC Theatre
February 24th, 7:30 PM
340 E. Parker Blvd
FREE and OPEN TO THE PUBLIC
The LOLs 2022 – Reality Extended
This Halloween, the music crypt is opened and sounds-experimental emanate forth. The Laptop Orchestra of Louisiana experiments with the interface between electronics and music, computers and performance. This Fall it has explored the concept of Extended Reality (XR) – the mixing of virtual and real spaces – hybrid worlds. In many ways music and sound design have existed in the realm of extended reality long before the term existed – the audience listening to music here in the present but transported to otherworldly destinations.
Come take an hour out of All Hallows Eve and join us for a concert of sci-fi sounds and experimental music. The Laptop Orchestra of Louisiana will be performing a series of works that draw music from the ether – a radio static seance, 2-sentence horror stories, a plague of amphibians, screaming amps and more speakers than you could shake a chainsaw at.
Wear your costumes! And expect both tricks and treats.
DMC Theatre
730PM – October 31st
340 E. Parker Blvd
Tenure Track Professor Position in EMDM
We are excited to announce the opening of a Tenure Track position in Experimental Music & Digital Media. If you are working within the creative technology and music sphere, we encourage you to apply.
- Teach courses. Courses may include those aligned with the undergraduate Digital Media minor, and Digital Media Arts & Engineering
- Perform research, scholarship and creative activity within the School of Music’s Experimental Music & Digital Media program and the Center for Computation & Technology’s (CCT) Cultural Computing group
- Other duties include attracting extramural funding and work with interdisciplinary teams that include faculty, doctoral students, post-docs and research associates
- Participate in other educational and professional tasks of the Department and the University
• Artificial Intelligence• Interactive Music Systems• Machine Learning• XR-extended reality/Virtual Worlds
- Cyberinfrastructure Applications in Music
- Democratization of Musical Interfaces
- Digital Musical Instruments / Digital Lutherie
- Digital Signal Processing/Synthesis
- Electroacoustic Music Composition
- Experimentalism in Music
- History of Electroacoustic Music
- Immersive Sound Diffusion
- Music Information Retrieval
- Musical Robotics
- Ubiquitous Music Computing
Fall 2022 lineup of EMDM classes in music & technology
In case you are wondering what to sign up for…
Unique things this semester:
- Signal Processing and interactivity in MaxMSP via MUS 4745
- An exciting collaboration with DMAE and Digital Art to explore XR Performance!
- Create the Technology and Compose works through MUS 7746
- Perform in Extended Reality through the MUS 4270 EMDM Ensemble
The Fall 2022 lineup of music & technology classes from EMDM
MUS 7746 – Research Seminar in EMDM: XR Performance
Taught by: Jesse Allison & Derick Ostrenko
Paired with ART 4240 Special Topics: XR Performance
Performance and live events such as concerts, opening ceremonies, theatrical productions, and other spectacles are using light, sound, and technology to extend reality in rapidly evolving ways. This course engages the intersection of electronic music, visualization, performer, and audience. We will focus on creating real-time music, sound, and performance that respond and interact with graphics, lighting, and illusion on a large LED wall in LSU’s new XR Studio environment. Experimental and traditional tools for content creation will be explored as a part of the production pipeline such as Max (Jitter), Unreal Engine, Notch, and TouchDesigner. Other strategies for interaction and reaction such as motion capture, sensors, and computer vision will be covered. The course is project based and will entail a series of lessons that pave the way for original XR performances that combine physical sets with digital graphics.
Open to students with some coding background (MUS 4745 suggested)
Fall 2022 T/Th 1:30-3:00
MUS 2745 – Intro to Computer Music
Taught by: Dylan Burchett
- DAWs, Recording/Editing, composing, sound design
- Culminates in a concert of works at the Really, Really New Music Marathon.
Open to all levels including Digital Media Minor students
Fall 2022 MWF 930-1030
MUS 4745 – Computer Music
- Using computers to create music from scratch
- Audio programming in Max
- Sound Synthesis
- Audio Processors
- Computer Music Composition
- Computer Interactivity and Performance
Open to all levels including Digital Media Minor students
Fall 2022 T/Th 9:00-10:20
MUS 4270 – EMDM Ensemble – Laptop Orchestra of Louisiana
- Exploring Performance with technology
- Composition for Electronic Instruments
- Improvisation
- XR Performance with a Virtual Production Studio!
- Performance!
Open to all levels including Digital Media Minor students
Fall 2022 T 3:00-550
MUS 3152/7053 – Applied Electroacoustic Music
Taught by: Dr. Allison & Dr. Beck
- define and compose works incorporating -or creating- technology. (Essentially composition on electricity)
- Pre-requisite of MUS 2745 (or by permission of instructor)
- Culminates in a performance of the technology you created at the Really, Really New Music Marathon.
Open to EMDM and Composition students and others by approval
Fall 2022 Fr 3:00-4:20 + by appointment
If you have any questions about the courses or requirements, please contact Dr. Allison at jtallison@lsu.edu